British violinist Daniel Hope has toured the world as a virtuoso soloist for more than twenty years, and as the youngest ever member of the Beaux Arts Trio during its last six seasons. He is renowned for his musical versatility and creativity, and for his dedication to humanitarian causes. Hope performs as soloist with the world’s major orchestras and conductors, directs many ensembles from the violin, and plays chamber music in a wide variety of traditional and new venues. Raised in England and educated at Highgate School in London, Hope earned degrees at the Royal Academy of Music, where he studied with renowned Russian pedagogue Zakhar Bron.
Called "adventurous and brilliant" by the New York Times, Hope was named "the most exciting British string player since Jacqueline du Pré," by the London Observer. A recent New York Times review summarized him as "a violinist of probing intellect and commanding style," and continued : "In a business that likes tidy boxes drawn around its commodities, the British violinist Daniel Hope resists categorization. Mr. Hope, a compelling performer whose work involves standard repertory, new music, raga, and jazz, emphasizes thoughtful engagement over flamboyant display. In his most personal undertakings, he puts classical works within a broader context - not just among other styles and genres but amid history, literature, and drama - to emphasize music’s role as a mirror for struggle and aspiration."
Hope has performed in all of the world’s most prestigious venues and with the greatest orchestras including the Boston, Chicago, Toronto, and Atlanta Symphony Orchestras, as well as the major orchestras of Berlin, Birmingham, Dallas, Detroit, Dresden, Israel, London, Moscow, Oslo, Paris, Stockholm and Vienna. He has performed at the world’s most important festivals, such as the BBC Proms and the Lucerne, Ravinia, Salzburg, Verbier and Tanglewood festivals.
Hope is the Artistic Director of the prestigious Festspiele Mecklenburg-Vorpommern, a summer Festival set in one of Germany’s most beautiful provinces and hosting over 100 concerts for more than 70,000 visitors. In addition to the festival’s many chamber and symphonic concerts, Hope arranged and performed at a special open-air multi-genre concert to raise awareness of the world’s climate change crisis, supported by HRH The Prince of Wales. Other highlights of Hope’s 2010-11 season include appearances with Vienna Symphony Orchestra, Netherlands Philharmonic, Danish Radio Symphony Orchestra, Orchestre National de France, Chamber Music Society of Lincoln Center, a North America recital tour and performances at the Aspen, Santa Fe and Savannah Music Festival, where he has been Associate Artistic Director since 2005.
In the summer of 2009, Hope gave the world- and UK-premiere performances of Sir Peter Maxwell Davies’s second violin concerto, Fiddler on the Shore - written for Hope and the Leipzig Gewandhaus Orchestra - in Leipzig and at London’s BBC Proms. In the 2009-10 season, he also gave concerto performances in Japan and the Far East, all the major European cities and in the US, including the Mendelssohn concerto (of which his Deutsche Grammophon recording was selected as one of the year’s best recordings by the New York Times) and Schulhoff’s Double Concerto with Jeffrey Kahane and the Los Angeles Chamber Orchestra. A recital at UCLA benefitted the OREL Foundation, an organization dedicated to recovering music suppressed by the Nazis during the Third Reich. He also gave solo recitals in the Netherlands, Italy, Spain and Switzerland.
Now an exclusive Deutsche Grammophon artist, Hope has earned numerous Grammy nominations, a Classical BRIT award, the Deutsche Schallplattenpreis, and five ECHO Klassik Prizes. His most recent release, Air. a baroque journey, looks at the history of the violin in the Baroque era. The CD pairs well-known works such as Pachelbel’s Canon, the folk tune "Greensleeves" and Bach’s sublime Air with rarely-heard compositions by Falconieri, Matteis, Geminiani and Westhoff, among others. Gramophone magazine called it "an exciting disc, with a heady, pied-piper power over the listener that comes from realizing that the bright sense of discovery once felt by these composers is being experienced just as much by their modern-day interpreters. You can’t ask for much more than that." His latest release this label is a celebration of the great and highly influential violinist and composer Joseph Joachim (1831- 1907) and is centred around the Bruch concerto, a work with which Joachim is closely associated. The Bruch was recorded in summer 2010 with the Royal Stockholm Philharmonic Orchestra under Sakari Oramo. Hope previously recorded for Warner Classics and Nimbus, playing Bach, Berg, Britten, Elgar, Finzi, Foulds, Ireland, Mendelssohn, Mozart, Penderecki, Schnittke, Shostakovich, Tippett, Walton and Weill. His interpretation of Ravi Shankar’s compositions, on the CD East Meets West, met with worldwide acclaim, whilst his world première recording of the original version of the Berg Violin Concerto (coupled with the Britten Concerto) was votedthe "best available version" in a 2010 Gramophone magazine poll.
Beyond the concert stage, Hope has penned three best-selling books published in Germany, titled Familienstücke (Family Album), a memoir, Wann darf ich klatschen ?" (When do I applaud ?) and Toi, toi, toi. He has written scripts for collaborative performance pieces with the Oscar-winning actor Klaus Maria Brandauer, including "War and Pieces," "Mozart Unplugged !" and "Dietrich Bonhoeffer - Someone Had to Do Something." He also wrote "An Audience with Beethoven" for Mia Farrow, and "Forbidden Music," featuring poetry and music written by prisoners at Theresienstadt. He has worked extensively as a presenter for both radio, film and television in the United Kingdom, Germany and the United States. His cutting-edge website features a video blog which he films and produces himself.
Yehudi Menuhin invited the 11-year-old Daniel Hope to join him playing Bartók duos on German television, launching a long artistic partnership consisting of over 60 concerts, including Lord Menuhin’s final appearance in 1999, in which he conducted Hope’s performance of Alfred Schnittke’s Violin Concerto.
Hans Graf, Daniel Harding, Thomas Hengelbrock, Kurt Masur, Kent Nagano, Roger Norrington, Sakari Oramo, Michel Plasson, Mstislav Rostropovich and Christian Thielemann are among the many conductors with whom Daniel Hope has worked. Instrumental collaborators include Thomas Adès, Yuri Bashmet, Hélène Grimaud, Edgar Meyer, Kristian Bezuidenhout, Philippe Entremont, Lynn Harrell, Zakir Hussain, Sebastian Knauer, Jaime Laredo, Katia and Marielle Labèque, Mischa Maisky, Mark O’Connor, Anne Sofie von Otter, Mark Padmore, Menahem Pressler, STING, and Tabea Zimmermann.
Hope has also enjoyed close contact with composers such as HK Gruber, Sofia Gubaidulina, György Kurtág, Krzysztof Penderecki, Alfred Schnittke, and Mark-Anthony Turnage. He recorded Toru Takemitsu’s violin concerto, "Nostalgia", with the composer. In 2008, Hope and Stewart Copeland, the former drummer of The Police, premiered Copeland’s Celeste for violin and percussion at the Savannah Festival.
Hope regularly directs chamber orchestras as violin soloist with ensembles including the Chamber Orchestra of Europe, Camerata Salzburg and Concerto Köln.